Archive for the ‘It Came From the Sketchbook’ Category

Mood Indigo

Wednesday, September 1st, 2010

Back when I was in art school hanging with the DUCKWORK crowd who would eventually morph into the Comico crowd, we would compare notes about art supplies and techniques. Back then, some of the guys were real excited about using non-repro blue leads in a mechanical clutch pencil or a lead holder. The robin’s egg blue color wouldn’t reproduce on a stat or PMT which was a high contrast photographic reproduction. That repro would be pasted onto a board along with the text and all of the other page elements, and then a negative would be shot of that in order to burn a printing plate, etc…etc… The blue lead was also great for sketching and building a drawing. The blue ultimately wouldn’t show up so you could sketch and sketch to your heart’s content. Coming back in with a regular black lead pencils would define and firm up what you were trying to get at in the blue sketch. Recently I went walking into a brand new art supply store which is part of a national chain looking for non-repro leads. I looked around, but no dice. Black leads, but no blue. I asked one of the clerks wandering the floors. She asked me what I meant by non-repro. It was then that I realized that this sales girl was probably a toddler when companies started selling their stat cameras for scrap. She had grown up completely enveloped in the digital age.

What to do? I looked around and found something that is working a lot better than the old blue leads. Pictured above is a 0.9 mm mechanical pencil and indigo blue leads that fit in it. The leads are thick enough so that they give a nice beefy line like a wooden pencil, but are a consistent thickness or thinness so they never have to be sharpened. That isn’t the case with the thicker leads that went into the clutch pencils. I was constantly using a lead pointer on those things.

The blue leads aren’t non-repro, but, as I said before, we’re living in a digital age – it doesn’t matter. I can build and build the sketch with the blue pencil and then refine it with black. I scan it in and ink it digitally on a separate layer.

The indigo leads are fun to work in. I start out really sketchy and light and start leaning on the pencil more heavily as I make decisions about lines. I know it’s a poor craftsman who blames the quality of his work on his tools, but a 0.9 mm mechanical pencil with blue leads is making doodling and sketching just plain fun for me again. I love this pencil!

Of course, if they stop making the leads, I’ll be sunk. Maybe there will be another color. I don’t know. I’m not sure what the industrial purpose of these indigo leads is now if any. If that market dries up, they will go the way of the non-repro leads. I’d better stock up!

I may ink and color digitally, but I’m not ready to sketch digitally. I think I’ll always be analog in that regard.

Mommy Dearest II: The Revenge

Tuesday, July 20th, 2010

While I was looking for sketches for my abandoned opus Gomer Pyle Goes to Viet Nam, I found this sketch for another possible DUCKWORK strip. This was either going to be Mommy Dearest II: The Revenge or Joan Crawford Has Risen From the Grave. Obviously, Joan’s adopted daughter was going to get it EC Comics style in retaliation for penning her famous tell-all. Don’t mess with willful and driven Hollywood Stars even after they are dead!

DUCKWORK’s Swan Song: The Party’s Over

Monday, July 19th, 2010

It was 1982.

Issue No. 6 was the last issue of DUCKWORK. I am not sure of the reasons why, and I’m hoping that Gerry Giovinco does his history of the paper because he was directly involved with the nuts and bolts and all of the behind-the-scenes issues involved in publishing that student paper. Me – I was a clueless freshman who hung out, handed in 3 installments of a strip and irritated everyone with a constant stream of movie trivia and trivialities. I know money was an issue as always. The school was playing musical deans at the time, and the old guard was going out and the new one coming in, wanting to make changes. I know that everybody was trying to get their academic act together. The workload was tremendous particularly for the illustration majors. Time was a precious commodity. What was the sense of working on a school newspaper if you were going to flunk out of that school? Crack those books! Write that term paper you’ve been avoiding!

After issue No. 6, I was proceeding with the idea that there was going to be future issues and was working up ideas for other strips. I was going to continue my trend of mocking classic and sub-classic television programs and started to work up sketches for Gomer Pyle Goes to Viet Nam.

I found these sketches in an ancient, GBC-bound sketchbook. I don’t know why, but I must have been using an 8-H pencil at the time. These drawings were so light they were practically non-existent. I had to really play with levels in Photoshop to get something to show!

Anyway, Sargent Carter having heard one too many “Golly’s” and “Shazam’s” seizes on an opportunity to ship Pyle off to South East Asia. Carter figures Pyle won’t last a day and he’ll finally be rid of that lumbering lunkhead forever! Of course, just like the TV show, nothing works out Carter’s way. Pyle sees action and gets blown to bits. He is shipped back to the old Sarge in a small crate. Carter opens the crate finding a basket case Pyle still alive! Naturally it ends with a deliriously grinning and quite mad Gomer Pyle shrieking, “Soo-Prize! Soo-Prize! Soo-Prize!”

Maybe it’s a good thing DUCKWORK ceased publication.

Weird War TalesThe story was based on/ripped off from one of my favorite comics in my collection – Weird War Tales. Comic companies had done so many variations of war and Western comics, why not offbeat ones? In the cover story, the GI buys a talisman from a shaman. The shaman promises the American that he can not die as long as he wears the talisman. The soldier figures that he has just got an incredible bargain. The problem is that the talisman only keeps the wearer from dying – not from harm. He ends up at the end of the tale in a wicker basket hoping that somebody will remove the talisman thus granting him the sweet release of death. John, my older brother, bought it, read it and threw it to me as he always did at the time. He may have read it and forgot about it. I obsessed over it. The cover is etched in my mind. I still have it. The comic had the Comic Code seal meaning it was safe for kids, but it gave me the willies!

South Street Art Supply

Eventually word came down that the school was not going to fund any future issues of DUCKWORK. Gerry thought we could keep it going by selling advertising space. That’s what regular comics and newspapers did! There were ads in previous issues for art supply stores, small shops and cafes. We would just have to dedicate more space in the paper for advertising. The problem was that the Ducks would do the selling. Not everyone can be a salesman. Making a cold call to a little shop is tough. I was miserable at it. I think the cheapest ad was $15 for placing a business card on a page. No bites. The other Ducks were equally successful. It was dispiriting. Who wanted to go from store to store, door-to-door just to be rejected? Besides who wanted their place of business associated with comics about cannibalism, necrophilia and over-sexed water fowl? Showing potential advertisers copies of the paper was a deal killer. An inept sales staff and the utter lack of time caused by the crush of school work amongst other commitments meant that DUCKWORK was a dead duck.

I think Comico was starting to come to life. Gerry Giovinco, the driving force of DUCKWORK, had much bigger fish to fry than a little school newspaper. He was on the precipice of independent comic history!

Gerry will hopefully clear up the timeline in his column over at CO2 Comics.

Anyway, the plug was pulled. The DUCKWORK sign came off of the door of the tiny office on the 13th floor. I remember passing it a few times and trying the knob. Locked and unoccupied. DUCKWORK was dead. Nothing else came in or was started up to fill the breach. No other paper was started up. Not even mimeographed typewritten dispatches! No other Spanky McFarlands came forth to declare that he was going to put on a show. The party was over.

Next Time: Epilogue Part II!

Rumble in the Jungle Sketch

Wednesday, June 2nd, 2010

I had a lot of fun drawing the most recent edition of Monkey & Bird. It was inspired by the passing of  artistic giant Frank Frazetta and my rediscovery of some terrific pulp adventures via my iPod Touch and a wonderful little application called Stanza. Essentially its an eBook reader, and there are thousands of books that are in the public domain and are available to download for free! I have been reacquainting myself with the works of Robert E. Howard, H.P. Lovecraft, and thrilling to the adventures of The Spider: Master of Men! They are a lot of fun and worth it for the apoplectic prose alone! There are always blood red rages, victory against hopeless odds and a diabolical villain being thrown bodily from a tower or parapet to gibbering throngs below. Great stuff!

The sketch was done in ballpoint pen in a Strathmore sketchbook. I scanned the sketch and place it into the comic layout to be inked digitally with a Wacom tablet in Photoshop.

Beware the Ides of March!

Monday, March 15th, 2010

I was recently asked to do some sketches of Roman orator Marcus Tullius Cicero for a project this guy was trying to pitch. He needed them in a hurry, so I made some doodles and sent them off. I went to high school with the guy and thought he was all right, but I never heard from him again. I called. I e-mailed. I hired a psychic. Maybe I should file a missing persons report.

I’m not sweating it – it’s not like I’m giving away Bugs Bunny, and they didn’t take that long to do. They are just Fred Flinstoney sketchbook sketches done in front of the television. Oh, well.

The Origins of Shawn

Monday, January 4th, 2010

Shawn-1Here’s a couple of sketches of Shawn the beleaguered waiter based very loosely on our friend Shawn from Support Your Local Gunfighter. I started to doodle in my sketchbook, and this fellow took form. He could have been a yak or a sloth, but a hippo came out.

You can see Shawn the Waiter in his full color glory in the latest installment of Monkey & Bird.

Shawn-2

Dating Disaster Sketches

Wednesday, November 18th, 2009

restaurant-sketch

Sketches seem to be fairly popular (well, I like them) so I’m putting a couple more up today. These are from a series of dating disaster illustrations I did for Boulder Magazine. I wish I got assignments like this every day. I love drawing uncomfortable situations and fat people. I think if I could draw angst ridden chubbies every day I would be in Hog Heaven!

See the finish here, and I blogged about it earlier here.

restaurant-galI did the first drawing on some tracing paper. I was probably refining a sketchbook sketch. The drawing of the woman was done separately with a roller ball pen in a sketchbook. I scanned them and married them together and printed them on bristol in light blue. Then I used markers for the finished ink. I used to turn my nose up at markers, but the brush markers and Micron pens are terrific nowadays. It’s also getting hard finding decent bottled ink and brushes.

Finally, the image was colored in Photoshop.

Vinny Sketches and Some Doodles

Friday, November 6th, 2009

Vinny_sketch

The other day I posted Vinny Valentine Feels the Heat, and Tina asked me why I didn’t post a sketch or sketches. I dug through some sketchbooks and found them. They’re nothing special, but I did have a brush marker doodle of a pretty cool skull-faced guy.

Mop Top Monster

Friday, November 6th, 2009

Shempenstein

…or Shempenstein. A sketchbook sketch I did 20 years ago and forgot about. Done in technical pen.

Bell Man & Beverage Boy

Thursday, October 15th, 2009

Bell_bev

Bell_Man

This is another fun idea that never quite made it. Back in the late ’80s, early ’90s I was working with a couple of guys trying to dig up freelance clients in need of graphic design and/or illustration. We were trying to convince a beer distributor that they really needed to use us for all of their advertising art needs. I came up with a Batman and Robin knockoff in the hopes of getting them to use comics as advertising. Bell Man and Beverage Boy would save the day at cocktail parties and picnics. They didn’t bite, but it’s a fun idea.