Posts Tagged ‘Cartoon’

Mood Indigo

Wednesday, September 1st, 2010

Back when I was in art school hanging with the DUCKWORK crowd who would eventually morph into the Comico crowd, we would compare notes about art supplies and techniques. Back then, some of the guys were real excited about using non-repro blue leads in a mechanical clutch pencil or a lead holder. The robin’s egg blue color wouldn’t reproduce on a stat or PMT which was a high contrast photographic reproduction. That repro would be pasted onto a board along with the text and all of the other page elements, and then a negative would be shot of that in order to burn a printing plate, etc…etc… The blue lead was also great for sketching and building a drawing. The blue ultimately wouldn’t show up so you could sketch and sketch to your heart’s content. Coming back in with a regular black lead pencils would define and firm up what you were trying to get at in the blue sketch. Recently I went walking into a brand new art supply store which is part of a national chain looking for non-repro leads. I looked around, but no dice. Black leads, but no blue. I asked one of the clerks wandering the floors. She asked me what I meant by non-repro. It was then that I realized that this sales girl was probably a toddler when companies started selling their stat cameras for scrap. She had grown up completely enveloped in the digital age.

What to do? I looked around and found something that is working a lot better than the old blue leads. Pictured above is a 0.9 mm mechanical pencil and indigo blue leads that fit in it. The leads are thick enough so that they give a nice beefy line like a wooden pencil, but are a consistent thickness or thinness so they never have to be sharpened. That isn’t the case with the thicker leads that went into the clutch pencils. I was constantly using a lead pointer on those things.

The blue leads aren’t non-repro, but, as I said before, we’re living in a digital age – it doesn’t matter. I can build and build the sketch with the blue pencil and then refine it with black. I scan it in and ink it digitally on a separate layer.

The indigo leads are fun to work in. I start out really sketchy and light and start leaning on the pencil more heavily as I make decisions about lines. I know it’s a poor craftsman who blames the quality of his work on his tools, but a 0.9 mm mechanical pencil with blue leads is making doodling and sketching just plain fun for me again. I love this pencil!

Of course, if they stop making the leads, I’ll be sunk. Maybe there will be another color. I don’t know. I’m not sure what the industrial purpose of these indigo leads is now if any. If that market dries up, they will go the way of the non-repro leads. I’d better stock up!

I may ink and color digitally, but I’m not ready to sketch digitally. I think I’ll always be analog in that regard.

Don’t PANIC!!! Monkey & Bird Continues!

Friday, August 13th, 2010

Monkey & Bird is BACK at CO2 Comics! Read the latest from Tina & Joe HERE!

As a bonus, have a look at the sketch for this panel before it had all of those pixels slopped over it:

Girl Talk

Friday, July 30th, 2010

Girl Talk

Monkey & Bird by Joe Williams and Tina Garceau continues at CO2 Comics! Read the strip here!

Mommy Dearest II: The Revenge

Tuesday, July 20th, 2010

While I was looking for sketches for my abandoned opus Gomer Pyle Goes to Viet Nam, I found this sketch for another possible DUCKWORK strip. This was either going to be Mommy Dearest II: The Revenge or Joan Crawford Has Risen From the Grave. Obviously, Joan’s adopted daughter was going to get it EC Comics style in retaliation for penning her famous tell-all. Don’t mess with willful and driven Hollywood Stars even after they are dead!

Down In Space It’s Always 1982

Friday, July 16th, 2010

DUCKWORK No. 6

1982 and the my second semester arrived at PCA after a lengthy winter break. The second semester wasn’t as bad as the first. It was still the Foundation program that all freshmen had to go through, but it wasn’t as baffling or mind numbing. We continued drawing from models in drawing class; started doing actual figure sculpting in 3-D, and moved into color theory in 2-D which was fascinating. God help me, I was starting to enjoy it.

I didn’t live on campus and took a bus into Philly from my parents’ home in NJ. There were people I hadn’t seen in a month and it was nice being reunited. I soon found myself back on the 13th floor seeing what the Ducks were doing.

Of course, if I did live on campus, I may have met my wife, Tina Garceau. She was in her second year there at the time, and although we had probably passed each other in the hallways a thousand times, I never met her. She claims she remembers me, but I don’t really remember meeting and speaking with her until we were both out of school. Like two ships passing in the night.

Uber-Geek in Zombie makeup circa 1982

There was a pretty good chance that she would have run away screaming if she did meet me back in PCA. I guess things all worked out for the best.

So what about a new issue of DUCKWORK? We kicked around some ideas. Gerry Giovinco wanted another unifying theme similar to the previous issue. At the time, EC comics were being reproduced in expensive hardbound volumes. Some of them were circulating around the DUCKWORK office and we all marveled at the work of Jack Davis, Wally Wood, Graham Ingels, Jack Kamen, Bernard Krigstein, etc. This gave us the idea of doing a spoof of the old EC horror and crime comics. Being a big horror fan, I loved the idea. We kicked around some more ideas and decided that the unifying theme would be The Philly T-Square Massacre!

DUCKWORK No. 6 jettisoned the notion that it was a school newspaper and the majority of its 12 pages was filled with funnies most of which all tied into the T-Square Massacre theme! Gerry Giovinco’s Star Duck spoofed The Empire Strikes Back; Bill Cucinotta’s Punk Duck taunted the mysterious T-Square murderer: Matt Wagner spoofed Death Wish; John Rondeau did Tales of Suspense; Nickie Boston’s and Anna Miyaji’s Spineless Wonder was offered a good deal on a T-Square by a street vendor; Andrew Maltz was Thinking; William Bryan’s Cat Man was meanaced by T-Square-Headed Sharks.

…and, of course, The Brady’s Last Vacation came to a gratuitously violent and tasteless conclusion. It was a two-parter.

Sheesh! All I can say is thank God for digital lettering!

Well, it wasn’t the greatest work I’ve ever done, but I had TWO installments in that issue of DUCKWORK, and I was a full fledged Duck! If they had a private crapper, I would have had a key! I had ideas for future strips that were going to be bigger and certainly better drawn. DUCKWORK was going to be bigger and better. It was going to be great!

But sadly it was not to be. Issue No. 6 was Duckwork’s Swan Song.

Next Time: Epilogue

Bird Gets Chatty With Batty Patty

Friday, June 11th, 2010

Monkey & Bird by Tina Garceau & Joe Williams is back at CO2 Comics! Sylvia the Bird meets up with her girlfriend Pat the Fruit Bat and regales her with tales of her romantic rendezvous with Mickey the Monkey. Read all about it HERE!

This particular installment is dedicated to our biggest fan, Patricia Williams! Pat has always been kind enough to comment on our comic in the virtual pages of Facebook. Thanks , Pat. Now you’re a bat!

Love Hurts

Friday, April 9th, 2010

For all of you faithful readers who have been wondering as to the reason for that “AAAAIIIEEEEGGAH!” at the end of the last installment, you can sate your curiosity TODAY over at CO2 Comics! Tina has cooked up some colossal colors for this installment! Prepare your pupils for a profusion of polychromatic pixels and bring your funny bone for the riotous laughs aplenty!

Sorry, I’ve been following Stan Lee on Twitter, and his delivery tends to rub off.

Head on over to CO2 Comics to read the latest installment of Monkey & Bird, and while you’re there, have a look around and see some of the other great comics that are over there!

Love is in the Air!

Friday, March 26th, 2010

How is Mickey and Sylvia’s date going? Find out over at CO2 Comics!

Is Spring Here?

Wednesday, March 17th, 2010

The Shivering Guy by Joe Williams

This is a drawing I banged out for a propane ad a while back. I had forgotten all about it, but recently somebody emailed me regarding my cartoon and illustration work. It’s hard to see in this version,but I had snuck my website on one of this fellow’s left shoe. An eagle-eyed admirer spied it and was good enough to email me. I have to remember to sneak my website into everything I do!

RoboCupid

Monday, February 1st, 2010

Being that Valentine’s Day is right around the corner, Tina and I thought we’d rummage around and dig out some of our own cards we’ve made for that holiday.

RoboCupid by Joe Williams

RoboCupid by Joe Williams

RoboCop came out in 1987, and, at the time, it was my favorite movie. It was a mash-up of  comic book superheroes, science fiction, black comedy and ultra-violence. I remembered getting really charged up when I saw the costume design on the movie poster. Sure there was Star Wars and The Terminator before that, but this looked like a comic book brought to three-dimensional reality. I loved the movie.

…and than they had to water it down with two awful sequels, a worst television series, made-for-TV movies and a cartoon series. Oh, well.

I made this card back in 1988 before all of the sequels and other nonsense. All analog, baby! No digital work was involved in this one. Brushes, ink, technical pens and press type which I had screened back using a stat camera. I traced the logo from a copy of Cinefantastique on to heavy tracing paper. I created the additional letters based on the existing letters. That was fun because I pulled out all of my mechanical drawing tools to do it. I pasted all of the work together, shot a stat for photocopying and sent it out to friends.