Posts Tagged ‘CO2 Comics’

Mood Indigo

Wednesday, September 1st, 2010

Back when I was in art school hanging with the DUCKWORK crowd who would eventually morph into the Comico crowd, we would compare notes about art supplies and techniques. Back then, some of the guys were real excited about using non-repro blue leads in a mechanical clutch pencil or a lead holder. The robin’s egg blue color wouldn’t reproduce on a stat or PMT which was a high contrast photographic reproduction. That repro would be pasted onto a board along with the text and all of the other page elements, and then a negative would be shot of that in order to burn a printing plate, etc…etc… The blue lead was also great for sketching and building a drawing. The blue ultimately wouldn’t show up so you could sketch and sketch to your heart’s content. Coming back in with a regular black lead pencils would define and firm up what you were trying to get at in the blue sketch. Recently I went walking into a brand new art supply store which is part of a national chain looking for non-repro leads. I looked around, but no dice. Black leads, but no blue. I asked one of the clerks wandering the floors. She asked me what I meant by non-repro. It was then that I realized that this sales girl was probably a toddler when companies started selling their stat cameras for scrap. She had grown up completely enveloped in the digital age.

What to do? I looked around and found something that is working a lot better than the old blue leads. Pictured above is a 0.9 mm mechanical pencil and indigo blue leads that fit in it. The leads are thick enough so that they give a nice beefy line like a wooden pencil, but are a consistent thickness or thinness so they never have to be sharpened. That isn’t the case with the thicker leads that went into the clutch pencils. I was constantly using a lead pointer on those things.

The blue leads aren’t non-repro, but, as I said before, we’re living in a digital age – it doesn’t matter. I can build and build the sketch with the blue pencil and then refine it with black. I scan it in and ink it digitally on a separate layer.

The indigo leads are fun to work in. I start out really sketchy and light and start leaning on the pencil more heavily as I make decisions about lines. I know it’s a poor craftsman who blames the quality of his work on his tools, but a 0.9 mm mechanical pencil with blue leads is making doodling and sketching just plain fun for me again. I love this pencil!

Of course, if they stop making the leads, I’ll be sunk. Maybe there will be another color. I don’t know. I’m not sure what the industrial purpose of these indigo leads is now if any. If that market dries up, they will go the way of the non-repro leads. I’d better stock up!

I may ink and color digitally, but I’m not ready to sketch digitally. I think I’ll always be analog in that regard.

Telecommunication! Monkey & Bird Continues!

Friday, August 27th, 2010

Monkey & Bird continues at CO2 Comics! Take a look at the latest cartoon fun from Tina & Joe HERE!

Don’t PANIC!!! Monkey & Bird Continues!

Friday, August 13th, 2010

Monkey & Bird is BACK at CO2 Comics! Read the latest from Tina & Joe HERE!

As a bonus, have a look at the sketch for this panel before it had all of those pixels slopped over it:

Swamp Things

Tuesday, August 3rd, 2010

Before I start this entry, head over to CO2 Comics’ Blog NOW and read Gerry Giovinco’s history of DUCKWORK. He fills in some of the enormous gaps left by my own meager history of PCA’s semi-official student paper. His entry comes complete with embarrassing photographs!

It was 1982, and DUCKWORK was a dead duck, but one of the ex-Ducks decided to have a party. Being that I talked incessantly about film and had mentioned the cinematic efforts of Plague Productions more than once, somebody suggested a film festival. I could bring my reels and we could fill the rest of the evening out with commercial films which were mainly released in 8mm format by a company called Castle Films. They weren’t the entire film. They were more like highlight reels that told the story in a greatly condensed form.

I had some horror films like The Mummy and House of Frankenstein. I think Matt Wagner had some of the old Batman serials from the ’40s; Bill Cucinotta brought some reels, and there were a few other things to pad out the bill.

The Mummy

So it was decided. The kids were going to put on another show. Matt decided to hold it at his apartment which was among some student housing in a tenement-like building in the 1400 block of Spruce Street. It was a large apartment that Matt shared with two or three other roommates and it, and it was called The Swamp.

Matt also did me the honor of drawing this poster for the party.

It was a good time. I think we projected the movies against a wall or a bedsheet. The place was packed. My movies got a good response as did the other movies. We all laughed hysterically at the Batman and Robin serial. I think the version of The Mummy is my favorite although it was heavily condensed. This 8mm version had sound and the picture quality was terrific. It was edited very well and felt like a poetic dream projected large in that apartment. Boris Karloff’s sonorous voice sounded especially eerie beckoning a lost lover from across the seas of time. Great stuff.

For me, it felt like the last hurrah for the DUCKWORK gang. DUCKWORK was done, but the Ducks were still a fairly tight group. We still saw each other in classes or in the halls of PCA or got together when we weren’t buried under an avalanche of school work.

Next time: Wrecking Ball

Girl Talk

Friday, July 30th, 2010

Girl Talk

Monkey & Bird by Joe Williams and Tina Garceau continues at CO2 Comics! Read the strip here!

DUCKWORK’s Swan Song: The Party’s Over

Monday, July 19th, 2010

It was 1982.

Issue No. 6 was the last issue of DUCKWORK. I am not sure of the reasons why, and I’m hoping that Gerry Giovinco does his history of the paper because he was directly involved with the nuts and bolts and all of the behind-the-scenes issues involved in publishing that student paper. Me – I was a clueless freshman who hung out, handed in 3 installments of a strip and irritated everyone with a constant stream of movie trivia and trivialities. I know money was an issue as always. The school was playing musical deans at the time, and the old guard was going out and the new one coming in, wanting to make changes. I know that everybody was trying to get their academic act together. The workload was tremendous particularly for the illustration majors. Time was a precious commodity. What was the sense of working on a school newspaper if you were going to flunk out of that school? Crack those books! Write that term paper you’ve been avoiding!

After issue No. 6, I was proceeding with the idea that there was going to be future issues and was working up ideas for other strips. I was going to continue my trend of mocking classic and sub-classic television programs and started to work up sketches for Gomer Pyle Goes to Viet Nam.

I found these sketches in an ancient, GBC-bound sketchbook. I don’t know why, but I must have been using an 8-H pencil at the time. These drawings were so light they were practically non-existent. I had to really play with levels in Photoshop to get something to show!

Anyway, Sargent Carter having heard one too many “Golly’s” and “Shazam’s” seizes on an opportunity to ship Pyle off to South East Asia. Carter figures Pyle won’t last a day and he’ll finally be rid of that lumbering lunkhead forever! Of course, just like the TV show, nothing works out Carter’s way. Pyle sees action and gets blown to bits. He is shipped back to the old Sarge in a small crate. Carter opens the crate finding a basket case Pyle still alive! Naturally it ends with a deliriously grinning and quite mad Gomer Pyle shrieking, “Soo-Prize! Soo-Prize! Soo-Prize!”

Maybe it’s a good thing DUCKWORK ceased publication.

Weird War TalesThe story was based on/ripped off from one of my favorite comics in my collection – Weird War Tales. Comic companies had done so many variations of war and Western comics, why not offbeat ones? In the cover story, the GI buys a talisman from a shaman. The shaman promises the American that he can not die as long as he wears the talisman. The soldier figures that he has just got an incredible bargain. The problem is that the talisman only keeps the wearer from dying – not from harm. He ends up at the end of the tale in a wicker basket hoping that somebody will remove the talisman thus granting him the sweet release of death. John, my older brother, bought it, read it and threw it to me as he always did at the time. He may have read it and forgot about it. I obsessed over it. The cover is etched in my mind. I still have it. The comic had the Comic Code seal meaning it was safe for kids, but it gave me the willies!

South Street Art Supply

Eventually word came down that the school was not going to fund any future issues of DUCKWORK. Gerry thought we could keep it going by selling advertising space. That’s what regular comics and newspapers did! There were ads in previous issues for art supply stores, small shops and cafes. We would just have to dedicate more space in the paper for advertising. The problem was that the Ducks would do the selling. Not everyone can be a salesman. Making a cold call to a little shop is tough. I was miserable at it. I think the cheapest ad was $15 for placing a business card on a page. No bites. The other Ducks were equally successful. It was dispiriting. Who wanted to go from store to store, door-to-door just to be rejected? Besides who wanted their place of business associated with comics about cannibalism, necrophilia and over-sexed water fowl? Showing potential advertisers copies of the paper was a deal killer. An inept sales staff and the utter lack of time caused by the crush of school work amongst other commitments meant that DUCKWORK was a dead duck.

I think Comico was starting to come to life. Gerry Giovinco, the driving force of DUCKWORK, had much bigger fish to fry than a little school newspaper. He was on the precipice of independent comic history!

Gerry will hopefully clear up the timeline in his column over at CO2 Comics.

Anyway, the plug was pulled. The DUCKWORK sign came off of the door of the tiny office on the 13th floor. I remember passing it a few times and trying the knob. Locked and unoccupied. DUCKWORK was dead. Nothing else came in or was started up to fill the breach. No other paper was started up. Not even mimeographed typewritten dispatches! No other Spanky McFarlands came forth to declare that he was going to put on a show. The party was over.

Next Time: Epilogue Part II!

No, You’re Out of Order!

Thursday, July 15th, 2010

DUCKWORK April 1981

After I started posting my experiences with DUCKWORK, I had found this issue from April of 1981 stuck inside the pages of a later issue. This is the second issue of DUCKWORK.

I was still in high school when I picked this issue up. It must have been when I went to interview at PCA. I went with my Father and I brought a portfolio stuffed to overflowing which included drawings, mechanical drawings, paintings, photography and an 8mm projector and movie screen in order to show the interviewer the 8mm opus The Huns which I directed. I was afraid that I would be rejected so my Dad and I figured that we would bring in everything including the kitchen sink. Well, we didn’t bring in my baby pictures, but we thought about it. Little did I realize I had little to fear from rejection. I’m pretty sure that if you walked upright and could legibly sign your name, you were in. I kind of got that feeling when the interviewer said, “Oh, and you got good grades, too. Nice!”

This issue was a 12-pager with only 3 pages of comics. Gerry had a full paged adventure of Star Duck. The others were Amazing Comix, Sick Pup Funnies, Cliches Illustrated, and a tiny 3 paged comic that’s a little hard to make out in the copy I have.

There’s also a special shout out from Gerry to Evan Nurse who was a Junior Duck at the time.

I must have picked it up at the front desk, and 29 years later, here it is again!

After the interview, my Dad and I decided to make a day of it in the City of Brotherly Love. We ditched my portfolio and took a long walk. We ended up traipsing up the Parkway and went into the Philadelphia Museum of Art. Dad was born and bred in Philly, and it’s something he used to do in his youth. He enjoyed the trip down memory lane.

Philadelphia Museum of ArtDad at the PMA long before our walk there.

I wish I had a tape recorder to capture Dad’s roving commentary at the Museum. It was hysterical! I’m laughing and getting a little misty-eyed as I’m typing this.

Don’t miss our thrilling conclusion: DUCKWORK’s Swan Song!

Does Head Cheese Taste The Same Coming Up?

Tuesday, July 13th, 2010

DUCKWORK No. 4 – October 1981

Duckwork No. 4

If I hadn’t done so earlier, this was the issue that convinced me to venture up to the 13th Floor and drop in on the DUCKWORK offices. Gerry’s cartoon of a vomiting duck placed in front of a halftone of the school building at Broad and Pine cracked me up – duck puking! HAR! HAR! Vomit cartoons are funny! – and also made me ask, “How’d he do that?” I didn’t even know what a halftone was at the time and wondered how he mixed his cartoon with a photographic element. Nowadays it’s easily done digitally, but back then with stats, Rubylith and board work, it was a lot more of a hassle!

Again, I don’t remember how things exactly transpired, but some time late in 1981, I was up on the 13th floor meeting Gerry Giovinco, Bill Cucinotta and some of the other ducks. These guys LOVED comics, and we could talk about them for hours on end and did. It was amazing how much time could be whiled away in the tiny, cubbyhole-like office on the 13th floor. We certainly talked more about comics and fantasy movies which were exploding at the time than we did illustration or, God forbid, art. DUCKWORK was a respite from all of that. It was a haven safe from window screen sculptures and pages upon pages of ruled pencil lines.

DUCKWORK No. 4 had 12 pages! It had news, an editorial, a serialized story, poetry and plenty of comic strips including the continuing adventures of Star Duck, Punk Duck and another movie poster spoof.

DUCKWORK No. 4 also had a notorious record review of the band Head Cheese by Kyle Skrinak. I’m hoping that Gerry or Bill chime in on this because I am fuzzy on the details. For some reason this band was well connected to the school. Head Cheese sold copies of their album for $3 at the student services office and the school’s art supply store (think Soviet bread line). Well, Skrinak writes his review, and it ain’t pretty. It did make me laugh out loud when I reread it, but I didn’t think it was as vicious as legend had it. This was the era when Creem magazine was regularly disemboweling music acts in their pages. Besides, we were in art school. Wall “crits” were a lot harsher than what Skrinak was dishing. It didn’t matter. DUCKWORK had to apologize.

I never cease to be amazed by the internet. A search turned up a Head Cheese video! Who knew they made a video? This is for a song called Jungle Jam which Skrinak referred to as “…the coup-de-gras (or poop on the grass) song…” Take a listen and a look and let me know if the Ducks had anything for which to apologize.

Pretty rough, eh? Of course, this is back when people thought Liquid Sky was a great movie and also thought performance artists were making “powerful statements.” This was par for the course at the time.

Further research shows that Head Cheese changed their name to Book of Love and were a successful synth-pop band in the club and dance scene. Their songs appeared in the movies Silence of the Lambs and Trains, Planes and Automobiles. They toured with Depeche Mode. Who knew?

MP3 downloads of Book of Love’s music can be purchased here. They do an interesting remix of Mike Oldfield’s Tubular Bells.

When we meet again, I promise to get back on subject! To be continued…

EIGHTIES – We’re Living in the Eighties!

Monday, July 12th, 2010
DUCKWORK No. 3

DUCKWORK No. 3 - Fall 1981

Having read Gerry Giovinco’s fascinating posts about the origin and early days of Comico, I started to wonder when it was that I first hooked up with Gerry, Bill Cucinotta and the rest of the gang who were on the leading edge of the independent comic publishing revolution. I wasn’t part of Comico, but I was part of its immediate predecessor DUCKWORK.

The exact details and wheres and whos are a bit fuzzy, but let’s see what I can recollect.

I entered art school in the early ’80s and it was a disheartening experience. I was a freshman and as a freshman I had to endure what the school referred to as FOUNDATION. Outside of life drawing, the whole course of study seemed to be an exercise in futility. We would move around lumps of clay or twist window screen into shapes for weeks on end in what was known as 3-D DESIGN. Worst than that was 2-D in which we would endlessly rule out series of horizontal and vertical lines for the majority of the semester for no reason I could ever discern. My guess is that it was designed as a weeding process similar to boot camp. People who weren’t serious or the dabblers or the people who thought it would be neat to go to art school would wash out. Of course, the school would get their tuition checks first.

Strangely enough, I had a couple of those freshman pieces placed in the student showcase at the time. I’m not sure why. One of them was sort of a brain that looked like a maniac attacked it with a melon ball scooper all sculpted in a putrid green, Roma Plastilina clay. I called it Timothy Leary’s Brain.

Thankfully, there was an oasis among this baffling desert of aesthetic deconstruction, and it came in the form of eight black and white pages. DUCKWORK was the school’s student paper, and it had news, school information, (gulp) poetry and other useful tidbits, but more than half of it was comic strips. There was the usual pseudo-edgy, art student stuff that was fully expected for an art school rag, but there was also a lot of fun stuff like editor Gerry Giovinco’s Star Duck:

…and Bill Cucinotta’s Punk Duck:

…as well as Matt Wagner’s movie poster spoofs:

I guess you’ve picked up on the duck theme.

I was in a class or two with Matt Wagner, and, knowing he was a comic fan, budding comic artist and contributor to DUCKWORK, we got to chatting. He invited me to drop in on the DUCKWORK offices on the mysterious 13th Floor. (I guess they weren’t superstitious.)

To be continued…

Happy Birthday, Captain Visual!

Sunday, June 27th, 2010

Last night we had the pleasure of celebrating author, artist, publisher and balloon sculptor extraordinaire Gerry Giovinco’s birthday! This was the big one5-Ooooh!

It was also a reunion of sorts in that I got to see people I haven’t seen in the flesh for a couple of decades. Oh, I’ve written, emailed and phoned folks, but there has never been an opportunity to gather PCA alumni, Duckwork contributors, CO2 Comics contributors, old friends and allies all in one place. It was a great time!

50th Birthday Crown

Tina took the opportunity to create a crown for Gerry’s half century which he proudly wore during the festivities.

After presents and cake, Gerry dazzled us with a display of dexterity as he created wonders out of thin latex and thinner air. His nimble fingers formed fantastic hats, creatures and characters in a flash. I knew that Gerry did this as Captain Visual, but this was the first time I’ve witnessed his mad balloon sculpting skills, and I was floored! I particularly like the mermaid he crafted out of three balloons and some deft gestures. Incredible! I guess there is a reason that the guy has written books on the subject!

Gerry crafted this incredible hat for our son Lloyd. Sadly, it did not survive the trip home, but that’s the nature of balloon beasts.

Having looked through Gerry’s books, hats and mermaids are only the tip of the iceberg! There’s a lot more where that came from!

This also marks another anniversary.

CO2 Comics, brain child of the Birthday Boy and Bill Cucinotta, is a year old. Traffic to the site continues to grow and grow. With new additions almost every day and a library of colossal content, CO2 Comics is the hottest place for comics on the internet!