Tina and I are working on finishing up Chapter 2 of Monkey & Bird. This was a sketch I did in my sketchbook looking for a comfortable and humorous sleeping position for Mickey the Monkey. It’s a fun sketch, but it won’t fit in the panel I had in mind for it. I needed more …
A war wages within me between traditionally and digitally inking my cartoons. I go back and forth between my pens and brushes and my Wacom tablet. It depends on the job, my mood or whatever is close at hand. Cosmic, Man was inked traditionally.
Fifteen years ago on a similarly rainy day, before a gathering of family, friends and a priest who had buried most of the gangsters in South Philly, Tina and I got hitched! As I’ve said before, Tina and I exchange cards that we make ourselves on holidays and major occasions like today. Take a LOOK …
Monkey & Bird by Joe Willams & Tina Garceau continues TODAY at CO2 Comics. Click HERE to see how Mickey and Sylvia’s starlit rendezvous is going!
This was an illustration I did for The Jewish Exponent back in the 80s. It was for an article on the incredible surge in the amount of printed information. It went on to detail the trials and tribulations of researchers who have to slog through the ever-growing pile of printed works.
If you’re a regular at Willceau Illo News, you have read about the creation of the print version of our fabulous webcomic Monkey & Bird! If you would like your very own to have and to hold, you can order yours HERE!
This is DC Comics’ Strange Sports Stories No. 3 from 1974. I used to be annoyed at the presence of comics like these crowding my beloved costumed crime-fighter books on the spinning racks, but these are the sort of oddball comics that I gravitate to when I go rooting around the old long boxes. I …
My brother-in-law Brian Bubonic and his trusty Samsonite have traveled the globe – New York, Paris, Reykjavik, El Paso, to name a few. What do these cities have in common? They are all places where Brian has lost hats.
Ink from a bottle or digital ink? The ENDLESS STRUGGLE continues, but this time the turmoil is WITHIN as I cast aside the new digital techniques and once again embrace the tools of old!
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