{"id":2841,"date":"2011-05-18T11:53:58","date_gmt":"2011-05-18T16:53:58","guid":{"rendered":"http:\/\/willceau.com\/news\/?p=2841"},"modified":"2023-03-05T15:58:20","modified_gmt":"2023-03-05T20:58:20","slug":"i-was-a-pc-before-i-was-a-mac","status":"publish","type":"post","link":"https:\/\/willceau.com\/news\/2011\/05\/18\/i-was-a-pc-before-i-was-a-mac\/","title":{"rendered":"I was a PC Before I Was a Mac"},"content":{"rendered":"

\"Inside<\/a>Of course I was!<\/em><\/p>\n

Before you read this, head on over to CO2 Comics<\/a> and read a follow-up of sorts to my article<\/a> regarding the fabulous Raine Szramski.<\/a> It’s a look inside of Raine’s studio and covers some of her technique. Read it HERE!<\/strong><\/em><\/a><\/p>\n

This article is a continuation of my look back at my digital roots. In my last article, I related my experiences with the Commodore 64<\/a> which was a terrific machine for games and word processing, but what about illustration? I thought there may be possibilities as far as a sketch tool, but I didn’t explore it much beyond that. How could you take cartoons that looked like they were built of Lego blocks seriously?<\/p>\n

\"\"<\/a>Real life got in the way of my pondering the digital realm as I finished up school, got a job and moved into the big city. I pursued and got freelance cartooning work which was done traditionally which was the only way to do these things. Sure there was artwork being done on computers like the comicbook Shatter,<\/strong><\/em> but didn’t Macs cost a fortune? They weren’t really on the radar for me. (Don’t let the reduced size of this cover fool you. Shatter was ground-breaking and had a pretty good story, but if you seek it out, you’ll see it’s very much limited by 1984 technology. It’s kind of like the splash screen art on some of the Commodore 64 games.)<\/p>\n

It was the mid-80s, and I was operating a photostat camera while-you-wait at a busy center city art supply store. The Desktop Publishing revolution may have started in 1985 with the release of Apple ‘s Laserwriter, but it was still very much a cut-and-paste\/board work world. Gallon containers of rubber cement flew off of the shelf and Pantone papers, Chartpak tape and Letraset press-type sold by the ton. I was busy all day shooting photostats and halftones of peoples’ art and boards that they would take to a printer or publisher to have pasted into some larger work. It was a constant flurry of activity and a lot of money changed hands.<\/p>\n

Towards the end of the 80s, I noticed the digital revolution start to take hold. Most all of the runners for the big firms had vanished leaving only the freelancers who worked out of their apartments and guy’s who made bootleg concert tee-shirts waiting in line for stats. My camera work end of the business was drying up. I was also ordering graphics materials and each month the orders were shrinking. I was the master of a dying technology and a salesman for an expensive line of products that nobody needed any more. I was going to have to do something drastic or I would be obsolete along with my equipment.<\/p>\n

\"\"<\/a>

From the packing slip of my Packard Bell PC<\/p><\/div>\n

In the Spring of 1991, I plunked down $2,000 for a Packard Bell 386\/25. Sadly I don’t have pictures of it, and I had a tough time finding a picture of the right one on the internet. It had 1MB of RAM, expandable to 8MB; it had a 95MB hard-drive; it had a small monitor; It had no modem or mouse, and it would surely kill you if it was dropped on you from a tree.<\/p>\n

Why a PC and not a Mac? The Mac of choice at that time for doing Graphic Design was a Mac IIci.<\/strong><\/em> It listed for $6,700.<\/strong><\/em><\/p>\n

\"Macintosh<\/a>

A Macintosh IIci waiting for the trash men in 2009<\/p><\/div>\n

My roommate had bought a used IIci at around the same time as I bought my PC so I got to look at life from both sides.<\/em> He didn’t pay $6,700 for his, but he probably paid more than the price of my PC. I thought it was a needless amount of money to pay for a brand and a fancy Graphics User Interface. I congratulated myself on my thrift; bought a mouse from Egghead Software,<\/em> and threw myself at Windows 3.1<\/em> and CorelDraw.<\/em><\/p>\n

I slogged through the CorelDraw manual, painstakingly working on the tutorials where you first manipulate simple vector shapes and eventually build a house using what you learn from the shapes. It was boring, but between the PC and the Mac, I was learning a whole new jargon and the difference between a TIFF, a JPEG and an EPS. I didn’t think of these machines in terms of illustration as I did with my experiments with the Commodore 64.<\/a> They were graphic design tools with an endless supply of type in all sizes. Press type, typesetters and those ridiculously huge typositors that we learned how to use at PCA were obsolete and Good Riddance!<\/p>\n

What sealed the deal for me making my $2,000 dollar toy a real tool was when I used it on a freelance job. I mainly did cartoons, but I wouldn’t turn my nose up at other illustrative jobs. One of the area’s teaching hospitals was putting together a manual for home infusion therapy. There were a lot of gadgets and devices that needed to be drawn. Needing the money, I took the fairly dry job, and was preparing to draft it with T-squares, triangles, templates and a compass when I thought of doing it in CorelDraw. It was all lines and curves that I could set up more precisely on the PC than by hand so why not? I gave it a try.<\/p>\n

\"\"<\/a><\/em><\/p>\n

By golly, it worked! <\/em>Corrections were easy and the client loved what they got. I saved the images as EPS files and handed them to my roommate who placed them in a Pagemaker layout. Wow! My computer started to earn its keep!<\/p>\n

There are a lot more of these mechanical drawings which I won’t bore you with, but it made the computer real for me. It wasn’t a toy any more like the Commodore. At this point, I couldn’t see it as an illustration tool, but it was great for logos and type that I could paste into my hand drawn work. Chasing down the fully illustrative side of computers would come to me a little later in the decade.
\n<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

Of course I was!<\/p>\n","protected":false},"author":12,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[31,317,7,318],"tags":[384,17,8,27,386,5,385,137],"class_list":["post-2841","post","type-post","status-publish","format-standard","hentry","category-blast-from-the-past","category-computers","category-illustration","category-technique","tag-384","tag-cartoon","tag-cartoons","tag-digital-illustration","tag-inside-dos","tag-joe-williams","tag-packard-bell-38625","tag-philadelphia-college-of-art"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","jetpack_shortlink":"https:\/\/wp.me\/p1ed1x-JP","jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":20187,"url":"https:\/\/willceau.com\/news\/2015\/12\/31\/the-creep\/","url_meta":{"origin":2841,"position":0},"title":"The Creep","author":"Joe","date":"December 31, 2015","format":false,"excerpt":"Fiddling around a bit with a quick little sketch which I brought into Affinity Photo. I scanned the sketch below; turned it grayscale; played with the levels a bit to darken it up and threw a bit of digital color around with a Wacom tablet. I like this technique and\u2026","rel":"","context":"In "Illustration"","block_context":{"text":"Illustration","link":"https:\/\/willceau.com\/news\/category\/illustration\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/willceau.com\/news\/wp-content\/uploads\/2015\/12\/Creep-sketch.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/willceau.com\/news\/wp-content\/uploads\/2015\/12\/Creep-sketch.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/willceau.com\/news\/wp-content\/uploads\/2015\/12\/Creep-sketch.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":23751,"url":"https:\/\/willceau.com\/news\/2018\/05\/30\/sneak-preview\/","url_meta":{"origin":2841,"position":1},"title":"Sneak Preview","author":"Joe_Williams","date":"May 30, 2018","format":false,"excerpt":"I was hoping to have another vector illustration ready for Willceau Illo this week, but this is proving to be somewhat more complicated than my two-headed monster from last week and the Atomic Warrior from the week before. There are a few elements of this one that I am still\u2026","rel":"","context":"In "Illustration"","block_context":{"text":"Illustration","link":"https:\/\/willceau.com\/news\/category\/illustration\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/willceau.com\/news\/wp-content\/uploads\/2018\/05\/concert-girl-in-progress.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/willceau.com\/news\/wp-content\/uploads\/2018\/05\/concert-girl-in-progress.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/willceau.com\/news\/wp-content\/uploads\/2018\/05\/concert-girl-in-progress.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/willceau.com\/news\/wp-content\/uploads\/2018\/05\/concert-girl-in-progress.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":21259,"url":"https:\/\/willceau.com\/news\/2016\/10\/28\/affinity-designer-after-midnight\/","url_meta":{"origin":2841,"position":2},"title":"Affinity Designer After Midnight","author":"Joe_Williams","date":"October 28, 2016","format":false,"excerpt":"Here's another Halloween Horror Head I created in Affinity Designer while I waited for my son's early morning bus. I was trying to do something different, but I wound up with another vampire. This one is based on Lon Chaney's iconic monster. from the silent classic London After Midnight.","rel":"","context":"In "Halloween"","block_context":{"text":"Halloween","link":"https:\/\/willceau.com\/news\/category\/halloween\/"},"img":{"alt_text":"London after Midnight","src":"https:\/\/i0.wp.com\/c3.staticflickr.com\/6\/5593\/29978168554_051b0c6de3.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":18399,"url":"https:\/\/willceau.com\/news\/2015\/03\/24\/live-and-in-poison\/","url_meta":{"origin":2841,"position":3},"title":"Live and in Poison","author":"Joe_Williams","date":"March 24, 2015","format":false,"excerpt":"More whacky illustrative hi-jinx with my new favorite vector program Affinity Designer. When I was playing around with the settings, my skull turned a very interesting metallic green. I liked the way it looked so I pushed the green some more and came up with the variation below. Here are\u2026","rel":"","context":"In "Illustration"","block_context":{"text":"Illustration","link":"https:\/\/willceau.com\/news\/category\/illustration\/"},"img":{"alt_text":"Vector skull","src":"https:\/\/i0.wp.com\/willceau.com\/news\/wp-content\/uploads\/2015\/03\/Green_skull.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/willceau.com\/news\/wp-content\/uploads\/2015\/03\/Green_skull.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/willceau.com\/news\/wp-content\/uploads\/2015\/03\/Green_skull.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/willceau.com\/news\/wp-content\/uploads\/2015\/03\/Green_skull.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":21182,"url":"https:\/\/willceau.com\/news\/2016\/10\/14\/i-count-on-affinity-designer\/","url_meta":{"origin":2841,"position":4},"title":"I COUNT on Affinity Designer","author":"Joe_Williams","date":"October 14, 2016","format":false,"excerpt":"Here's a little Halloween doodle that I cooked up in my favorite vector art program Affinity Designer. Being that my son's school bus pickup time is just before dawn, I thought it appropriate to work on this icon of The Count! A couple of mornings before sunrise fiddling with shapes\u2026","rel":"","context":"In "Halloween"","block_context":{"text":"Halloween","link":"https:\/\/willceau.com\/news\/category\/halloween\/"},"img":{"alt_text":"The Count in Affinity Designer","src":"https:\/\/i0.wp.com\/live.staticflickr.com\/7461\/30022386700_6c104c7673_z.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/live.staticflickr.com\/7461\/30022386700_6c104c7673_z.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/live.staticflickr.com\/7461\/30022386700_6c104c7673_z.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":23907,"url":"https:\/\/willceau.com\/news\/2018\/06\/22\/the-bikers-three\/","url_meta":{"origin":2841,"position":5},"title":"The Bikers Three","author":"Joe_Williams","date":"June 22, 2018","format":false,"excerpt":"The fellows above are part of a crowd scene which features the flower children I posted the other day. The crowd is part of a larger, fairly complex illustration which is taking forever, but the smaller elements like this trio are rolling out at a rapid clip. I'm having a\u2026","rel":"","context":"In "Illustration"","block_context":{"text":"Illustration","link":"https:\/\/willceau.com\/news\/category\/illustration\/"},"img":{"alt_text":"THE BIKERS THREE","src":"https:\/\/i0.wp.com\/farm1.staticflickr.com\/887\/28076792067_2f6015ea5b_z.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/farm1.staticflickr.com\/887\/28076792067_2f6015ea5b_z.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/farm1.staticflickr.com\/887\/28076792067_2f6015ea5b_z.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"jetpack_likes_enabled":true,"_links":{"self":[{"href":"https:\/\/willceau.com\/news\/wp-json\/wp\/v2\/posts\/2841","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/willceau.com\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/willceau.com\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/willceau.com\/news\/wp-json\/wp\/v2\/users\/12"}],"replies":[{"embeddable":true,"href":"https:\/\/willceau.com\/news\/wp-json\/wp\/v2\/comments?post=2841"}],"version-history":[{"count":0,"href":"https:\/\/willceau.com\/news\/wp-json\/wp\/v2\/posts\/2841\/revisions"}],"wp:attachment":[{"href":"https:\/\/willceau.com\/news\/wp-json\/wp\/v2\/media?parent=2841"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/willceau.com\/news\/wp-json\/wp\/v2\/categories?post=2841"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/willceau.com\/news\/wp-json\/wp\/v2\/tags?post=2841"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}