{"id":40603,"date":"2023-05-17T07:18:39","date_gmt":"2023-05-17T11:18:39","guid":{"rendered":"https:\/\/willceau.com\/news\/?p=40603"},"modified":"2023-05-29T09:20:53","modified_gmt":"2023-05-29T13:20:53","slug":"chasing-the-cool-kids","status":"publish","type":"post","link":"https:\/\/willceau.com\/news\/2023\/05\/17\/chasing-the-cool-kids\/","title":{"rendered":"Chasing the Cool Kids"},"content":{"rendered":"

\"\"Back in the 1970s Marvel Comics was trying to chase an audience beyond the typical comic reader which was comprised chiefly of seven to twelve year old boys. Somebody thought a rock album based on their most popular character would be far out<\/em> and would go a long way towards attracting new, hipper and happening audience to the Mighty Marvel Universe. Comics were sophisticated! They weren’t just for kids.<\/p>\n

My brother had this album, and while we nearly wore it out listening to it repeatedly, it was bad. The story and John Romita’s artwork that adorned the album cover and a fold-out spread were great, but the songs were terrible. Professional song writers churned out some ditties and studio musicians played them, but it was sort of cringe inducing like The Osmonds<\/em><\/a>. There was never going to be a world tour or even a Grammy Award. Kids were not going to line up for tickets.<\/p>\n

Still, people at Marvel thought the album rocked and tried to chase down the head shop crowd with a huge color spread in this 1973 issue of Creem<\/em>.<\/p>\n

\"Creem<\/a>