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Tag Archives: vintage
PCA – The Class of ’68 – Motion Picture
A few weeks ago, Tony Visco handed me a blast from our Alma mater’s past — The Philadelphia College of Art’s yearbook from 1968!This collection of film makers had special significance to me because I recognized one of the graduates … Continue reading
Posted in Blast from the Past, Philadelphia
Tagged 1968, art school, explotation, film, Joe Dante, Joe Williams, motion picture, PCA, Pennsylvania, Philadelphia, Philadelphia College of Art, photography, Roger Corman, The Howling, Twilight Zone, UArts, University of the Arts, USA, vintage
2 Comments
Friday Five – Number Sixty Nine
Sixty ninth in a series creating a collage using five elements.
Blue Baby
This looks to be a photograph of John B. Capewell’s eldest son, John, Jr. The negative is a little worst for wear, and it had turned a yellow brown which when inverted in Photoshop, turns an interesting blue.
Friday Five – Number Sixty-Eight
Sixty eighth in a series creating a collage using five elements.
Posted in Collage, Friday Five, News
Tagged collage, cooking, digital collage, digital illustration, fire, flames, Food, Illustration, kitchen, Tina Garceau, vintage
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Happy Birthday, Tina!
Here is this year’s birthday card for Tina. I decided to ape her Friday Five fashion with this one.
On the Rocks
Here’s another of John Capewell’s glass negatives that I thought I had previously published, but I guess I haven’t. It looks to be John’s brother James George Capewell perched upon the rocks up at what I assume is Niagara Falls.
Let Sleeping Dogs Lie
Here’s another in a series of photographs that John Capewell shot of his children with the familiar lodgepole chair, a curtain of corn as a background and the family pet. This appears to be Capewell’s son John, Jr.
Chicks Will Dig You!
Is it the mod haircut, the happening turtleneck or the aloof attitude?
Posted in What I Miss About Comics
Tagged Batman, Cartoon, cartoons, comic book, DC, Karate, USA, vintage, World's Finest
2 Comments
Lady on the Path
I’m not sure where this was shot, but it looks like John Capewell’s wife Ella is the subject, and from the manner of her dress, I would guess it is very early in the twentieth century.


